Julie Saul Gallery

EDUCATION

BA/BFA Double Major in Classical Civilization and Photography, New York University, 1987

SOLO EXHIBITIONS

2006
Artist's Project: Type A, Addison Gallery of American Art, Andover, MA
Contender, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

2005
Curtain Call, Sandroni Rey (Project Space), Los Angeles, CA Type A, USA, livingroom D lyx, Malmö, Sweden
The Black Box, Selected by Anne Ellegood, Omar López-Chahoud & Shamim Momin ARCO, Madrid, Spain

2004
Push, Sara Meltzer Gallery, New York, NY
Type A: Spittakes and Selected Videos, Second Street Gallery, Charlottesville, VA
Damage, Sara Meltzer Gallery, New York, NY

2003 Mark/Point/Stand, Sara Meltzer Gallery, New York, NY

2002
The Pre-Career Retrospective, California State University, Luckman Fine Art Complex, Los Angeles, CA (Catalogue)
Insertions, Ten in One Gallery, New York, NY

2000 Incubator, Sarah Meltzer gallery, New York, NY

1998 Collective Memory 2, Rider Series (Aspects of Photography), Sara Meltzer's On View, New York, NY

1997 Collective Memory I, Sara Meltzer's On View, New York, NY

1995 Similar and Incongruent (Collective Memory 1), Annika Sundvik Gallery, New York, NY

1991 The Cloud Club: Attic of the Chrysler Building, Municipal Art Society, New York, NY

GROUP EXHIBITIONS

2006
New York Video Festival, Film Society Of Lincoln Center, New York, NY
Strange Instrument, 3rd Ward, Brooklyn, NY Prevailing Climate, Sara Meltzer Gallery, New York, NY
Out Of Context, Art Omi, Ghent, NY
Iron Artist, Organized by Matt Freedman, Sina Najafi and Colby Chamberlain P.S.1, Long Island City, NY (Catalogue)
In Focus: 75 Years Of Collecting American Photography, Addison Gallery Of American Art, Andover, MA
Welcome Home, Sara Meltzer Gallery, New York, NY
Skirting the Line: Conceptual Drawing, Curated by Katie Johnson Richard E. Peeler Art Center, DePauw University, Greencastle, IN

2005
Arti & Architettura, Genova, Italy
The Black Box, Selected by Anne Ellegood, Omar López-Chahoud & Shamim Momin, ARCO, Madrid, Spain
Dating Data, Josee Bienvenu Gallery, New York, NY Regarding Clementine, Clementine Gallery, New York, NY
Special, Kustera Tilton Gallery, New York, NY The Voting Booth Project, Parsons Gallery, New York, NY Beginning Here: 101 Ways, Visual Arts Gallery, New York, NY

2004
Plum TV, Curated by Yvonne Force Will Boys Be Boys?, Curated By Shamim Momin, Independent Curators International, The Salina Arts Center, Salina KS
Screwball, Vox Populi, Philadelphia, PA

2003
The Squared Circle: Boxing In Contemporary Art, Curated by Olukemi Ilesanmi, Walker Arts Center, Minneapolis, MN (Catalogue)
The World's A Mess, It's In My Kiss, Debs & Co., New York, NY

2002
Time Share, Sara Meltzer Gallery, New York, NY
Dangerous Beauty, Curated by Pearl Gluck, The Jewish Community Center, New York, NY

2001
Tent, Centrum Beeldende Kunst, Rotterdam, NL
Embracing Science, Eyre/Moore Gallery, Seattle, curated by Alexandra Muse Good Humor, curated by Tricia McLaughlin and Sharon Paz, ECP, New York, NY
Freestanding, curated by Richard Torcia & Yane Calovsky, Beaver College Art Galley, Glenside, PA
Chelsea Rising, Contemporary Art Center, New Orleans, curated by David Rubin
From Flesh to Steel, University of Indiana, Gary, curated by Lisa Wainwright
Selections From Art In General: A Program of Short Video Works, Instituto Cubano del Arte e Industria Cinematográficos, Havana, Cuba
Video Marathon, Art In General, New York, NY

2000
On the Horizon:Landscape at the Millenium, New Jersey Center for Visual Arts, Summit, NJ
Manly, Art in General, curated by Grady Turner, New York, NY
Achieving Failure, Thread Waxing Space, curated by Bill Arning, New York, NY

1999
New Media Space, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
The Comforts of Home, The Hand Workshop Art Center, curated by Ashley Kistler, Richmond, VA
Zapping Zone, Galerie Hubert Winter, Vienna, Austria Frequent Flyer, Recent Short Video Works from New York & Los Angeles, Los Angeles, CA & New York, NY
Hang Time, White Columns, New York, NY
Luster, Henry Urbach Architecture Gallery, New York, NY
I'm the Boss of Myself, Sara Meltzer's On View, New York, NY
Three Suitcases, Art & Idea, Mexico City, Mexico
Paradise 8, Exit Art/The First World, selected by Henry Urbach, New York, NY
International Juried Show, New Jersey Center for Visual Arts, selected by Lisa Dennison, Summit, NJ

1998
5th Annual International Contemporary Art Fair, Henry Urbach Architecture, Chateau Marmont, Los Angeles, CA The Selective Eye, Anne Reed Gallery, Sun Valley, ID
TwoMANYTwo, MANY (Musicians & Artists in New York), DCTV, New York, NY
Recursion, Flipside Gallery, curated by Nurit Newman, Brooklyn, NY
Still..., Laurent Delaye Gallery, curated by Jenefer Winters, London, England
Hot Spots:Zeitgenossische Amerikanische Fotografie, Nassuischer Kunst Verein Wiesbaden, curated by Josefine Raab, Germany
Neighborhood Watch: Recent Photographs of Suburbia, Julie Saul Gallery, New York, NY
Family, Bronfman Center, New York, NY
Photowork Ô98, Barrett House Galleries, curated by Lisa Dennison, Poughkeepsie, NY
Scope 1, Artists Space, curated by Pip Day, New York, NY

1997
Backyards, Robert Mann Gallery, New York, NY
Summer Invitational, Curt Marcus Gallery, New York, NY
Oceans & Galaxies, Karen McCready Contemporary Art, New York, NY
Tampering With the Reel, Artists Space, New York, NY
Picture This: New Photographs From the Collection Virginia Museum of Fine Art, Richmond
Politics and Faith, Gallery at 678, New York, NY
NBSA: Christinerose Gallery, Avery Fisher Hall, Lincoln Center, New York, NY
Absolut Secret, Royal College of Art, London, England

1996
Out Takes, Julie Saul Gallery, New York, NY
Do You Want New Wave or Do You Want the Truth?:The Future of New York Art Initiatives, New York, NY
The Urban Landscape II, Staley Wise Gallery, New York, NY 1987 Empire State/USSR, Points of Departure, New York, NY

BOOKS

The Landmarks of New York, Abrams, New York, 1988
Nursery Style, Bantam Books, New York, 1989
Look Up: Chrysler's Attic, Metropolis (cover story), December 1992
Hidden New York, Gap Japan Magazine, June 1992
Building Sites, Academy Editions, London, 1995
Interior Design, April 1995, pp. 13
Above It All, Phaidon Press Limited, London, projected release Fall 1995
Architecture in Detail: Grand Central Terminal, Phaidon Press Limited, London, 1996
New York Interiors, Taschen, Koln, 1996

BIBLIOGRAPHY
Masters, H.G. "Art In The City: Fun With Dairy." The L Magazine, 2006
Chan, Sewell. "On Your Mark, Get Set, Create Something Arty." New York Times . June 12, 2006: E1
Pollack, Barbara. "Iron Artist: Type A." June 10, 2006. Catalogue.
Comingore, Amy. "Stand By Your Man." Daily Nexus Online. Jan. 19, 2006
Freedenberg, Molly. "Making Fun Of Manliness." The Santa Barbara Independent. March 16, 2006
"AA<->AB/200(c) 7/28/04." Harper's. February 2005: 25
Schwendener, Martha. "Type A." Time Out New York. November 18-24, 2004: 84
Jana, Reena."Push And Pull." Art On Paper. September 2004: 28-29
Pollack, Barbara. "The Elephant In The Room." Art News. September 2004: 118-119
Harvey, Doug. "Ranking the Museums." LA Weekly, January 1, 2004
Ostrower, Jessica. "Type A at Sara Meltzer." Art In America. December 2003: 102-103
Ilesanmi, Olukemi. "The Squared Circle: Boxing In Contemporary Art." Catalogue
July 2003
Krenz, Marcel. "Type A: Mark/Point/Stand." Contemporary No. 50. 2003
Pollack, Barbara. "Type A: Mark/Point/Stand." Time Out New York. April 3-10, 2003: 57
Levin, Kim. "Voice Choices." The Village Voice. April 2-8, 2003
"Critics' Picks." Time Out New York. March 20-27, 2003: 85
Levin, Kim. "Spring Arts Preview." Village Voice. March 5-11, 2003: 76
Arning, Bill. "Type A: The Pre-Career Retrospective." Catalogue
November 2002. Garcia, Sandra. "New York 'Type A' Guys Display Art In Luckman." University
Times. December 5 2001
Levin, Kim. "Spring Arts Preview." Village Voice. March 5-11, 2003: 76
Schwendener, Martha. "Type A." Artforum. April 2002: 139-140
Speh, Scott. "Type A At Ten in One." Fucking Good Art. April 2002
Number Ten. http://spaces.org/rants/fga10.htm "Type A." (t)here. Issue 5. 2001
Brookhardt, D. Eric. "Been There, Viewed That." Gambit Weekly. February 27, 2001: 26
Rubin, David. "Chelsea Rising." Catalogue. March 2001
Knight, Christopher. "The Complex Art Of Capturing Random Moments." Los Angeles
Times. February 17, 2001: F1
Harvey, Doug. "About Time." LA Weekly. February 16-22, 2001: 33
Lunenfeld, Peter. "Urine Nation." Artext. February-April 2001 Issue No. 72: 36
Schwan, Gary. "'Never Never Land' Is No Disney Utopia." The Palm Beach Post. November 19, 2000
Cotter, Holland. "Innovators Burst Onstage One (Ka-pow!) At A Time." The New York Times.
November 10, 2000: E34
Levin, Kim. "Voice Choices." Village Voice. November 7, 2000 103
Hunt, David. "Balls." Time Out New York. August 10-17, 2000. Issue No. 255: 61
"Balls." The New Yorker. August 14, 2000: 13
Levin, Kim. "Voice Choices." Village Voice. August 1, 2000
Johnson, Ken. "Game On." Art Guide. The New York Times. July 14, 2000: E30
Griffin, Tim. "Game On." Time Out New York. July 6-13, 2000. Issue No. 250: 62
Turner, Grady T. "Aperto New York." Flash Art. Vol. XXXIII, No. 213
Summer 2000: 57-60. Porter, Jenelle & Conny Purtill. "Game On." Catalogue. June 2000
Robinson, Frank. "Weekend Update." Artnet. http://www.artnet.com/Magazine/reviews/robinson/robinson3-30-00.asp
Schwan, Gary. "A Thoughtful Debut: Museum's First Show Looks At Film, Video & Time." Palm Beach Post. March 12, 2000
"Manly." The New Yorker. February 21 & 28, 2000: 50
Arning, Bill. "Out To Stud." Time Out New York. February 17-24, 2000
Issue No. 230: 58. Cappellazzo, Amy. "Making Time." Catalogue
March 2000. Santamarina, Guillermo. "International Photography Biennale." Catalogue. September 1999
Gavilan, Ana Isabel Perez. "Three Suitcases." Art Nexus. November-January 2000. No. 34
Arning, Bill. "Hang Time." Time Out New York. July 29-Aug 5, 1999. Issue no. 201: 51
Caniglia, Julie. "Hang Time." Sidewalk.com. July 1999
Johnson, Ken. "Hang Time." Art Guide. The New York Times. July 23, 1999: E36| Singer, Debra & Lauren Ross. "Hang Time." Catalogue. June 1999. Cappellazzo, Amy"I'm The Boss Of Myself" Catalogue. May 1999
Aletti, Vince, Village Voice, June 30, 1998
New York Arts Magazine, June 1998
Newhall, Edith, "Ghosts in the Machine",New York Magazine, June 15, 1998
"Tampering With the Reel", Time Out New York, 17 July 1997, p.37
"Bordwin's ÔOceans and Galaxies'...", The Westsider/Chelsea Clinton News, 17-23 April 1997
Harper's, March 1997, ("Readings," p.25)
Architecture in Detail: Grand Central Terminal, Phaidon Press Limited, 1996
Building Sites, Academy Editions, 1995
"Look Up: Chrysler's Attic", Metropolis, December 1992, cover story
"Hidden New York", Gap Japan Magazine, June 1992
Arning, Bill, "Hang Time", Time Out New York, Jul 29 - Aug 5, 1999, issue no. 201 p. 51
Caniglia, Julie, "Hang Time", Sidewalk.com, July 1999
Johnson, Ken, Art Guide, The New York Times, July 23, 1999, p. E 36
Gavilan, Ana Isabel Perez, "Three Suitcases", Art Nexus, November - January 2000, No. 34

COLLECTIONS

Banana Republic/The Gap
Brooklyn Museum of Art
Chase Manhattan BaNK
Cornell University
Deutsche Bank
Disney
Equitable
Houston Museum of Fine Art
Johnson Museum of Art
Massey & Co.
Morgan Stanley
Museum of the City Of New York
Museum of Fine Arts, Boston
New York Public Library
Pfizer
Polaroid Corporation
Polo/Ralph Lauren, Inc.
Storch Amini Munves PC
Virginia Museum of Fine Art