current

upcoming

history

 

 

Press Release
Checklist

Karin Apollonia Müller
Angels In Fall
December 14, 2000 - January 20, 2001
Gallery hours 11-6, Tuesday - Saturday (Closed December 24th - January 1)

The Julie Saul Gallery is pleased to announce German photographer Karin Apollonia Müller's first solo exhibition in New York. Entitled Angels In Fall, the show consists of large scale color photographs of urban Los Angeles and Western ocean side landscapes.

Müller was born in Heidelberg, studied at the Folkwang School in Essen. She creates powerful photographs with a muted palette and low contrast By juxtaposing the human figure (actual or implied) subtly positioned within a complex landscape, the images evoke a sense of displacement. The compositions are subtle and evocative, possessing a haunting potency. As a foreigner, Müller's "visitor" status in Los Angeles is expressed by a sense of alienation and beauty. The desolate beauty and latent sense of danger inform MŽller's images, which reflect the fleeting and ephemeral movements of Los Angeles. People sleep on the ground, gather on the beach and go about seemingly ritualistic movements within the haze and smog of the Western sky- operating in a biscuit colored sublime. The figures are faceless, alone, sometimes appear homeless and often disengaged from the sprawling city scape that surrounds them: a traffic cop is still among stopped traffic, a homeless man carries his mattress near a freeway and surfers sit alone, submerged in the ocean, tiny toy soldiers engage in mock war games.

Müller's work has been recently exhibited at the Photographer's Gallery in London in a dual show with Garry Winogrand and is currently included in Mental Wilderness at Gale Gates in Brooklyn. Her work is in the collection of the San Francisco Museum of Modern Art, The New School, New York, the Allen Memorial Art Museum at Oberlin, the University of Iowa and the IFA, Berlin. Müller has recently received a commission from the Getty Foundation and a residency from the Lannan Foundation. She has received awards from Kodak, the German Consulate the GHS in Essen and a DAAD Fellowship. A first mongraph of her work will be published in February 2001 by Kruse (info@KrusePublishers) and disributed by DAP.

Second gallery

RED: A seasonal selection of prints, drawings and photographs

In the spirit of the season....including works by Yasumasa Morimura, Donald Judd, James Welling, Jeanne Dunning, Dr. Harold Edgerton, Andres Serrano, and many others.

Images: in order of check list below




KARIN APOLLONIA MάLLER
Angels in Fall

December 14, 2000 - January 20, 2001

Beginning from left of entrance:

Seagull, 1999
20 x 24” chromogenic print
edition of 7

Brushfire, 1998
20 x 24” chromogenic print
edition of 7

Waiting, 1996
20 x 24” chromogenic print
edition of 7

Foundation, 1995
20 x 24” chromogenic print
edition of 7

Morning Run, 1995
20 x 24” chromogenic print
edition of 7

Main Gallery:

Low Tide, 1998
40 x 50” chromogenic print
edition of 5

High Tide, 1998
40 x 50” chromogenic print
edition of 5

Overview, 1998
40 x 50” chromogenic print
edition of 5

Two Cold, 1997
30 x 40” chromogenic print
edition of 5

Civitas, 1997
30 x 40” chromogenic print
edition of 5

Power Lines, 1997
30 x 40” chromogenic print
edition of 5

Field of Fire, 1998
40 x 50” chromogenic print
edition of 5


RED
December 14, 2000 - January 20, 2001

James Welling
Degrade IBBT, 1991
cibachrome photogram
24 x 28”

Andrew Bush
Envelope, 2000
set of four chromogenic prints in film holders
8 x 9 3/4”

Penelope Umbrico
Untitled, 199
set of five chromogenic prints mounted on plexi glass
edition of

Elaine Lustig Cohen
Seer, 1999
photo collage, acrylic
14 x 9”

Donald Judd
Untitled (Fort Worth Project), 1992
lithograph, Rives BFK
edition 25/25
24 x 32”
set of 2

Jeanne Dunning
Study After Red Detail
cibachrome print
edition 1/25
16 x 23”

Frank Magnotta
ABC-TLC, 2000
foam rubber relief
28 x 36”

Brian Zink
Composition in Red & Black, 2000
vinyl decals on plexi
20 x 20”

Dr. Harold Edgerton
Milk Drop Coronet, 1957
dye transfer print
16 x 20”

Andreas Serrano
Blood, 1987
cibachrome, silicone plexi
edition 4/10
30 x 40”

Yasumasa Morimura
Untitled
cibachrome
edition 1/25
20 x 24”
*image illustrated

Ellsworth Kelly
Red Curve, 1999
lithograph
edition 42/50
23 x 30”


top

For additional information contact the gallery

back