EDUCATION
2003 International Center of Photography/ Bard University Graduate
Master Class, NYC, NY
1979 MFA, Pratt Institute, Brooklyn, NY
1977 BFA, University of Cape Town, Cape Town, South Africa
SOLO EXHIBITIONS
2007
Gary Schneider: Nudes, Daiter Contemporary, Chicago, IL
Gary Schneider: Genetic Self Portrait, The Warehouse Gallery, Syracuse,
NY
2006 Gary Schneider: Nudes, Howard Yezerski Gallery, Boston, MA
2005 Gary Schneider: Nudes, Aperture Gallery, New York, NY
2004
Gary Schneider: Portraits, curator Deborah Martin Kao, Harvard University Art Museums, Boston, MA Show received National Endowment for the Arts Grant Contemporary Museum, Honolulu, Hawaii
Gary Schneider Biology, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA
Head to Head, Howard Yezerski Gallery, Boston, MA
2003
Genetic Self-Portrait, University Art Museum, SUNY, Albany, NY
Genetic Self-Portrait, curator Amy Vigilante Dickerson, University
Galleries, University of Florida, Gainesville, FL
Portraits, Julie Saul Gallery, New York, NY
2001
Botanical, Stephen Daiter Gallery, Chicago, IL
Hand Mouth, Howard Yezerski Gallery, Boston, MA
2000
Genetic Self-Portrait, International Center of Photography, New York,
NY
Specimen Drawings: Photographs from 1987-1999, Eleanor Barefoot Gallery,
New York, NY
1998
Genetic Self-Portrait, Musee de l'Elysee, Lausanne, Switzerland
John, Stephen Daiter Gallery, Chicago, IL
Interface, Howard Yezerski Gallery, Boston, MA
1997
Gary Schneider: Recent Photographs, curated by Curtis Carter, The
Haggerty Museum, Marquette University, Milwaukee, WI
Portraits, Garrison Art Center, Garrison, NY
From Life, PPOW Gallery, New York, NY
1996
Thru a Glass Darkly, Martha Schneider Gallery, Chicago, IL
1993, Howard Yezerski Gallery, Boston, MA
1995 Portraits, PPOW Gallery, New York, NY
1993 Botanicals, Robert Klein Gallery, Boston, MA
1992 Botanicals, PPOW Gallery, New York, NY
1991 Carte de Visite, PPOW Gallery, New York, NY
1977 Naming, Artist Space, New York, NY
GROUP EXHIBITIONS
2008 Flesh: Portraits by Gary Schneider, Museum of Photographic Arts, San Diego, CA
2006
Taking Inventory: Transformation through Compilation, curator David
Hilliard, Mark Moore Gallery, Santa Monica, CA.
The Body Familiar, curator Blake Fitch, The Griffin Museum, Winchester,
MA
Above and Beneath, Memphis College of Art, Memphis, TN
2005
No Eyes, curator William Hunt, Arles, France
Face and Figure, curator Dan Cooney, Westport Art Center, Westport, CT
Some Color, Howard Yezerski Gallery, Boston, MA
The Photogragh in Question, Von Lintel Gallery, New York, NY
Future Face, curator Sandra Kemp, The Science Museum, London, England
National Museum of Natural Science, Taichung, Taiwan
National Science and Technology Museum, Kaohsiung, Taiwan
The Once Over and the Art of Scrutiny, curator David Hilliard, Bernard Toale Gallery, Boston, MA
2004
Speaking with Hands, The Guggenheim Museum, NYC, NY. 2005 Guggenheim Bilbao, Bilbao, Spain
About Face, Hayward Gallery, London, England
Self-Evidence: Identity in Contemporary Art, DeCordova Museum and Sculpture Park, Lincoln, MA
Revisit the Mirror; Self-Portraits through Time, Palo Alto Arts Center, Palo Alto, CA
2003
Genetic Expressions: Art after DNA, curators Lynn Gamwell and Elizabeth Meryman, Heckscher Museum of Art, Huntington, NY
Cara a Cara, curator William A. Ewing, Culturgest, Lisbon, Portugal
Je t'envisage, Musee de l'Elysee Lausanne, Lausanne, Switzerland
Codes and Identities, curator Linn Underhill, The Clifford Gallery, Colgate University, Hamilton, NY
Visions and Revisions: Art on Paper, curator Clifford Ackley, Museum
of Fine Art, Boston, MA
A Mains Nues, curated by Marc Donnadieu, Trafic, Frac Haute-Normandie,
Sotteville-les-Rouen, France
Suture, Stephen Bulger Gallery, Toronto, Canada
Seeing - selections from collection Dancing Bear, Gruss Center of Visual Arts, The Lawrenceville School, Lawrenceville, NJ
Fleshtones: 100 Years of the Nude, Robert Mann Gallery, New York
2002
Pandemic: Imaging AIDS, curated by Lesley Martin and Nan Richardson,
traveling exhibition, Museum of Contemporary and Visual Art, Barcelona,
Spain, United Nations Galleries, United Nations, New York, NY
Translations/Transgressions, curated by Judith Tolnick, Fine Arts
Center Galleries, University of Rhode Island, RI
Mask or Mirror? A Play of Portraits, curated by Susan L. Stoops,
Worcester Art Museum, Worcester, MA
Embody: Inference in Figurative Photography, curated by Tim Welsh,
Howard Yezerski Gallery, Boston, MA
2001
Under the Skin, curated by Dr. Soeke Dinkla, Wilhelm Lehmbruck Museum Duisburg, Duisburg, Germany
Identities: Contemporary Portraiture, curated by Alice Dillon, Marion Dillon, Margaret Culbertson; New Jersey Center for Visual Arts, Summit, NJ
Paintings Photographs, Howard Yezerski Gallery, Boston, MA
The Genomic Revolution, panel, The Museum of Natural History, New
York, NY
2000
Le Siecle Du Corps, curated by William Ewing, Musee de L'Elysee Lausanne,
Lausanne, Switzerland
Paradise Now, curated by Carole Kismaric and Marvin Heiferman, Exit
Art, New York, NY
Surface and Depth:The Portrait in Contemporary Photography, curator Diane Miliotes, Hood Museum of Art, Dartmouth College, Hanover, NH. Foreign Bodies, curator Marianne Bernstein, Untitled (Space), New Haven, CT
Photo-Forum 2000, curated by Anne Tucker, Museum of Fine Art, Houston, TX.
What's New: Recent Acquisitions in Photography, curated by Sylvia Wolf, Whitney Museum of American Art, New York, NY
Unnatural Science, curated by Laura Heon, Mass MoCA, North Adams,
MA
Particle Accelerators, curated by Jane D. Marsching, Photographic Resource Center, Boston University, Boston, MA
Notions of the Norm: Modelling and Remodeling the Self, panel discussion CAA 2000. New York, NY
Personae: Portraits from the Collection, curated by Dawoud Bey, Museum of Contemporary Photography, Columbia College, Chicago, IL
A Decade of Collecting-Harvard University Art Museums, curator Deborah Martin Kao, The Fogg Art Museum, Harvard University, Boston, MA
1999
Head to Toe: Impressing the Body, curated by Margaret Mathews-Berenson
and Donna Harkavy.University of Massachussetts., Fine Art Center, Amherst,
MA
Reflections on the Artist, curated by Lori Pauli, National Gallery
of Canada, Ottawa
Uses of the Past in Contemporary Photography, Panel, Sothebys, New
York, NY
Century of the Body: Photoworks 1900 to 1999, Culturgest, Lisbon,
Portugal
Sequence, Order, Revolution, Eleanor Barefoot Gallery, New York,
NY
Wild Flowers, curated by Susan Edwards, The Katonah Art Museum, Katonah,
NY
American Century: The Final Victory, Part 3: 1968-1999, James Danziger
Gallery, New York, NY
Changing Faces, Contemporary Portraiture, Jim Kempner Fine Art, New
York, NY
Artificial Nature: Light and the Photogram, Julie Saul Gallery, New
York, NY
Female, curated by Vince Aletti, Wessel & O'Connor Gallery, New York,
NY.
Collection in Context-Henry Buhl, Society for Contemporary Photography,
Fairway, KS
Fondation Claude Verdan, Lausanne, Switzerland
1998
The Body in the Mirror, curated by William Ewing, The Photographic
Center of Skopelos, Larissa, Greece
Musee de l'Elysee Lausanne, Lausanne, Switzerland. (1999)
Out of Sight, curated by Karen Sinsheimer, Santa Barbara Museum, Santa Barbara, CA
Lectures, lecture, ICP, New York, NY
The Cottingsley Fairies and Other Apparitions, Leslie Tonkonow Gallery,
NewYork, NY, Memphis Brooks Museum of Art, Memphis,TN.
Collection in Context - Henry Buhl, Houston Center for Photography,
Houston, TX, University of Colorado, Boulder, CO, University of Maryland,
Baltimore, MD
Male, curated by Vince Aletti, Wessel & O'Connor Gallery, New York,
NY.
1997
Portrait as Object / Figure as Ground, Howard Yezerski Gallery, Boston,
MA
Scientia Artifex, curated by Denise Miller,The Museum of Contemporary
Photography, Columbia College, Chicago, IL
About Face, curated by Deborah Martin Kao. The Fogg Art Museum, Harvard
University, Boston, MA
Dream Botanicals, Howard Yezerski Gallery, Boston, MA
Poetic Evidence: Science in Contemporary Photography, curated by
Ann Thomas, National Gallery of Canada, Ottawa
Paper Support: Recent Acquisitions - Prints, Drawings, Photographs,
Yale University Art Gallery, New Haven, CT
Process on Paper - Recent Acquisitions, The Brooklyn Museum, Brooklyn,
NY
Picture This, The Cooper Union, New York, NY
A Show of Hands, George Adams Gallery, New York, NY
1996
Body Electric, curated by William Ewing, Winnipeg Art Gallery, Winnipeg,
Canada. Musee des Beaux Arts, Montreal, Canada
Light Conversation, seminar with Deborah Martin Kao. November, Fogg
Art Museum, Harvard University, Boston, MA
Contemporary South African Art, Gramercy Arts Club, New York, NY
Collection in Context-Henry Buhl, Thread Waxing Space, New York, NY. Parrish Art Museum (1997), Southampton, NY, Ohio Wesleyan University (1997), Delaware, OH. (1997) Houston Center for Photography,Houston,TX. (1998) University of Colorado, Boulder, CO. (1998) University of Maryland, Baltimore, MD. (1998) Society for Contemporary Photography, Fairway, KS. (1999) Fondation Claude Verdan, Lausanne, Switzerland. (1999)
Picture This, curated by Robin Renzi &Tessa Hughes-Freeland, CBGB Gallery, New York, NY
Carte de Visite, installation, Cooper Union, New York, NY
Face and Figure, Museum of Fine Arts, Boston, MA
Portraits, James Graham Gallery, New York, NY.
Face Value: American Portraits, curated by Donna De Salvo, The Wexner
Center For the Arts, Columbus, OH. Tampa Museum of Art, Tampa, FL.
1995
Rituals and Transformations, curated by Ann Thomas, National Gallery
of Canada, Ottawa
Moholy-Nagy and Present Company, curated by David Travis, Art Institute
of Chicago, Chicago, IL
Face Value: American Portraits, curated by Donna De Salvo, The Parrish
Art Museum, Southampton, NY, The Wexner Center For the Arts, Columbus, OH.
(1996) Tampa Museum of Art, Tampa, FL. (1996)
Fact, Fiction, and Truth: Contemporary Portraits, curated by Susan
Hoeltzel, Lehman College Art Gallery, Bronx, NY
Nature Studies II, curated by Regina Coppolla, Fine Arts Center,
University of Massachusetts, Amherst, MA
1994
Flora Photographica: The Flower in Photography from 1835 to the Present,
curated by William Ewing, The New York Public Library, New York, NY, The
Royal Ontario Museum, Toronto, Canada, Musee des Beaux Arts de Montreal,
Canada
1993
About Nature, curated by David Rubin, Cleveland Center for Contemporary
Art, Cleveland, OH
The Alternative Eye, curated by Paul Binai, Southern Alleghenies
Museum of Art, PA
Photograms and Photographs: Adam Fuss and Gary Schneider, curated
by Victoria Espy Burns, Blackman Associates, Chicago, IL
Observing Traditions: Contemporary Photographs 1975-1993, curated
by Ann Thomas, National Gallery of Canada, Ottawa
I Am the Enunciator, curated by Christian Leigh, Threadwaxing Space,
New York, NY
New Work 1: Regarding the Elements, James Danziger Gallery, New York,
NY
1992
Specs, Annina Nosei Gallery, New York, NY
Group Show, Lieberman and Saul Gallery, New York, NY
1991
From Desire: A Queer Diary, curated by Nan Goldin, Richard F. Brush
Art Gallery, St. Lawrence University, Canton, MA
Body, Body, Renee Foutoui Gallery, Easthampton, NY
A Photography Show For Children, James Danziger Gallery, New York,
NY
Photography, curated by Robin Renzi and Michelle Quan, Flamingo East,
New York, NY
1986 New York, New Work, New Year, screening of Salters Cottages,
The Funnel, Toronto, Canada
1984 Salter's Cottages, 16mm short subject film exhibited at The
Arsenal, Berlin, Germany. The Metropolis, Hamburg, Germany
1981 Salter's Cottages, exhibited at Millennium and The Collective
for Living Cinema, New York
1979 Peripheral Intercourse, 16mm short subject film, exhibited at
Millennium, New York, Received Hy Goldman Memorial Grant
1978 Lighting Technician, Edison, directed by Robert Wilson. New
York, NY. Lighting and Sound Technician, Blvd.
1977
Naming, a live solo performance at Artist Space, New York, NY
Lighting Technician, Book of Splendors Part 2, directed by Richard
Foreman. New York, NY
Grant: Irma Stern Scholarship and Jules Kramer Music and Fine Art Grant
for Studies Abroad
BIBLIOGRAPHY
Ilustrated cover story "Fat Factors", New York Times Magazine, NYC, NY.
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O'Toole, Sean. Article. "The Big Picture". Johannesburg Sunday Times, South Africa. Reproductions, p.5., July 23, 2006
McQuaid, Cate. Review. The Boston Globe, Boston, MA., page H8., March 2, 2006
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NYC, NY, Reproductions, p.112-115, 143, February 2005
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PUBLIC COLLECTIONS
Art Institute of Chicago, Chicago, IL
Brooklyn Museum of Art, Brooklyn, NY
Chrysler Museum of Art, Norfolk, VA
Contemporary Museum, Honolulu, Hawaii
Fogg Art Museum, Harvard University, Cambridge, MA
George Eastman House, Rochester, NY
Guggenheim Museum, New York, NY
Hallmark Collection, Kansas City, MO
Hood Art Museum, Dartmouth College, Hanover, NH
International Center of Photography, New York, NY
LaSalle Bank, Chicago, IL
Metropolitan Museum of Art, New York, NY
MoPA, San Diego, CA
Musee de l'Elysee, Lausanne, Switzerland
Museum of Contemporary Photography, Chicago, IL
Museum of Fine Art, Boston, MA
Museum of Fine Art, Houston, TX
National Gallery of Canada, Ottawa, Canada
Rose Art Museum, Brandeis University, Waltham, MA
Whitney Museum of American Art, New York, NY
Wooster Art Museum, Wooster, MA
Yale University Art Gallery, New Haven, CT

Nudes 2002-2004 [view images]

Portraits 1999-2001 [view images]

Genetic Self Portrait 1997-1999 [view images]

Hands 1996-present [view
images]

Botanicals 1989-1993 [view images]