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Gary Schneider statement | biography | links + press

born East London, South Africa 1954

EDUCATION

2003 International Center of Photography/ Bard University Graduate Master Class, NYC, NY

 

1979 MFA, Pratt Institute, Brooklyn, NY

 

1977 BFA, University of Cape Town, Cape Town, South Africa


SOLO EXHIBITIONS

 

2007

Gary Schneider: Nudes, Daiter Contemporary, Chicago, IL
Gary Schneider: Genetic Self Portrait, The Warehouse Gallery, Syracuse, NY

2006 Gary Schneider: Nudes, Howard Yezerski Gallery, Boston, MA

 

2005 Gary Schneider: Nudes, Aperture Gallery, New York, NY


2004

Gary Schneider: Portraits, curator Deborah Martin Kao, Harvard University Art Museums, Boston, MA Show received National Endowment for the Arts Grant Contemporary Museum, Honolulu, Hawaii

Gary Schneider Biology, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA

Head to Head, Howard Yezerski Gallery, Boston, MA

2003
Genetic Self-Portrait, University Art Museum, SUNY, Albany, NY

Genetic Self-Portrait, curator Amy Vigilante Dickerson, University Galleries, University of Florida, Gainesville, FL
Portraits, Julie Saul Gallery, New York, NY

2001
Botanical, Stephen Daiter Gallery, Chicago, IL
Hand Mouth, Howard Yezerski Gallery, Boston, MA

2000
Genetic Self-Portrait, International Center of Photography, New York, NY
Specimen Drawings: Photographs from 1987-1999, Eleanor Barefoot Gallery, New York, NY

1998
Genetic Self-Portrait, Musee de l'Elysee, Lausanne, Switzerland
John, Stephen Daiter Gallery, Chicago, IL
Interface, Howard Yezerski Gallery, Boston, MA

1997
Gary Schneider: Recent Photographs, curated by Curtis Carter, The Haggerty Museum, Marquette University, Milwaukee, WI
Portraits, Garrison Art Center, Garrison, NY
From Life, PPOW Gallery, New York, NY

1996
Thru a Glass Darkly, Martha Schneider Gallery, Chicago, IL
1993, Howard Yezerski Gallery, Boston, MA

1995 Portraits, PPOW Gallery, New York, NY


1993 Botanicals, Robert Klein Gallery, Boston, MA


1992 Botanicals, PPOW Gallery, New York, NY


1991 Carte de Visite, PPOW Gallery, New York, NY


1977 Naming, Artist Space, New York, NY

GROUP EXHIBITIONS

2008 Flesh: Portraits by Gary Schneider, Museum of Photographic Arts, San Diego, CA

2006

Taking Inventory: Transformation through Compilation, curator David Hilliard, Mark Moore Gallery, Santa Monica, CA.
The Body Familiar, curator Blake Fitch, The Griffin Museum, Winchester, MA

Above and Beneath, Memphis College of Art, Memphis, TN

 

2005

No Eyes, curator William Hunt, Arles, France

Face and Figure, curator Dan Cooney, Westport Art Center, Westport, CT

Some Color, Howard Yezerski Gallery, Boston, MA

The Photogragh in Question, Von Lintel Gallery, New York, NY

Future Face, curator Sandra Kemp, The Science Museum, London, England

National Museum of Natural Science, Taichung, Taiwan

National Science and Technology Museum, Kaohsiung, Taiwan

The Once Over and the Art of Scrutiny, curator David Hilliard, Bernard Toale Gallery, Boston, MA

 

2004

Speaking with Hands, The Guggenheim Museum, NYC, NY. 2005 Guggenheim Bilbao, Bilbao, Spain

About Face, Hayward Gallery, London, England

Self-Evidence: Identity in Contemporary Art, DeCordova Museum and Sculpture Park, Lincoln, MA

Revisit the Mirror; Self-Portraits through Time, Palo Alto Arts Center, Palo Alto, CA


2003

Genetic Expressions: Art after DNA, curators Lynn Gamwell and Elizabeth Meryman, Heckscher Museum of Art, Huntington, NY

Cara a Cara, curator William A. Ewing, Culturgest, Lisbon, Portugal

Je t'envisage, Musee de l'Elysee Lausanne, Lausanne, Switzerland

Codes and Identities, curator Linn Underhill, The Clifford Gallery, Colgate University, Hamilton, NY

Visions and Revisions: Art on Paper, curator Clifford Ackley, Museum of Fine Art, Boston, MA
A Mains Nues, curated by Marc Donnadieu, Trafic, Frac Haute-Normandie, Sotteville-les-Rouen, France
Suture, Stephen Bulger Gallery, Toronto, Canada

Seeing - selections from collection Dancing Bear, Gruss Center of Visual Arts, The Lawrenceville School, Lawrenceville, NJ

Fleshtones: 100 Years of the Nude, Robert Mann Gallery, New York

 

2002
Pandemic: Imaging AIDS, curated by Lesley Martin and Nan Richardson, traveling exhibition, Museum of Contemporary and Visual Art, Barcelona, Spain, United Nations Galleries, United Nations, New York, NY
Translations/Transgressions, curated by Judith Tolnick, Fine Arts Center Galleries, University of Rhode Island, RI
Mask or Mirror? A Play of Portraits, curated by Susan L. Stoops, Worcester Art Museum, Worcester, MA
Embody: Inference in Figurative Photography, curated by Tim Welsh, Howard Yezerski Gallery, Boston, MA

2001

Under the Skin, curated by Dr. Soeke Dinkla, Wilhelm Lehmbruck Museum Duisburg, Duisburg, Germany

Identities: Contemporary Portraiture, curated by Alice Dillon, Marion Dillon, Margaret Culbertson; New Jersey Center for Visual Arts, Summit, NJ

Paintings Photographs, Howard Yezerski Gallery, Boston, MA

The Genomic Revolution, panel, The Museum of Natural History, New York, NY

2000
Le Siecle Du Corps, curated by William Ewing, Musee de L'Elysee Lausanne, Lausanne, Switzerland
Paradise Now, curated by Carole Kismaric and Marvin Heiferman, Exit Art, New York, NY

Surface and Depth:The Portrait in Contemporary Photography, curator Diane Miliotes, Hood Museum of Art, Dartmouth College, Hanover, NH. Foreign Bodies, curator Marianne Bernstein, Untitled (Space), New Haven, CT

Photo-Forum 2000, curated by Anne Tucker, Museum of Fine Art, Houston, TX.

What's New: Recent Acquisitions in Photography, curated by Sylvia Wolf, Whitney Museum of American Art, New York, NY

Unnatural Science, curated by Laura Heon, Mass MoCA, North Adams, MA

Particle Accelerators, curated by Jane D. Marsching, Photographic Resource Center, Boston University, Boston, MA

Notions of the Norm: Modelling and Remodeling the Self, panel discussion CAA 2000. New York, NY

Personae: Portraits from the Collection, curated by Dawoud Bey, Museum of Contemporary Photography, Columbia College, Chicago, IL

A Decade of Collecting-Harvard University Art Museums, curator Deborah Martin Kao, The Fogg Art Museum, Harvard University, Boston, MA


1999
Head to Toe: Impressing the Body, curated by Margaret Mathews-Berenson and Donna Harkavy.University of Massachussetts., Fine Art Center, Amherst, MA
Reflections on the Artist, curated by Lori Pauli, National Gallery of Canada, Ottawa
Uses of the Past in Contemporary Photography, Panel, Sothebys, New York, NY
Century of the Body: Photoworks 1900 to 1999, Culturgest, Lisbon, Portugal
Sequence, Order, Revolution, Eleanor Barefoot Gallery, New York, NY
Wild Flowers, curated by Susan Edwards, The Katonah Art Museum, Katonah, NY
American Century: The Final Victory, Part 3: 1968-1999, James Danziger Gallery, New York, NY
Changing Faces, Contemporary Portraiture, Jim Kempner Fine Art, New York, NY
Artificial Nature: Light and the Photogram, Julie Saul Gallery, New York, NY
Female, curated by Vince Aletti, Wessel & O'Connor Gallery, New York, NY.
Collection in Context-Henry Buhl, Society for Contemporary Photography, Fairway, KS

Fondation Claude Verdan, Lausanne, Switzerland

1998
The Body in the Mirror, curated by William Ewing, The Photographic Center of Skopelos, Larissa, Greece

Musee de l'Elysee Lausanne, Lausanne, Switzerland. (1999)

Out of Sight, curated by Karen Sinsheimer, Santa Barbara Museum, Santa Barbara, CA

Lectures, lecture, ICP, New York, NY

The Cottingsley Fairies and Other Apparitions, Leslie Tonkonow Gallery, NewYork, NY, Memphis Brooks Museum of Art, Memphis,TN.
Collection in Context - Henry Buhl, Houston Center for Photography, Houston, TX, University of Colorado, Boulder, CO, University of Maryland, Baltimore, MD
Male, curated by Vince Aletti, Wessel & O'Connor Gallery, New York, NY.

1997
Portrait as Object / Figure as Ground, Howard Yezerski Gallery, Boston, MA
Scientia Artifex, curated by Denise Miller,The Museum of Contemporary Photography, Columbia College, Chicago, IL
About Face, curated by Deborah Martin Kao. The Fogg Art Museum, Harvard University, Boston, MA
Dream Botanicals, Howard Yezerski Gallery, Boston, MA
Poetic Evidence: Science in Contemporary Photography, curated by Ann Thomas, National Gallery of Canada, Ottawa
Paper Support: Recent Acquisitions - Prints, Drawings, Photographs, Yale University Art Gallery, New Haven, CT
Process on Paper - Recent Acquisitions, The Brooklyn Museum, Brooklyn, NY
Picture This, The Cooper Union, New York, NY
A Show of Hands, George Adams Gallery, New York, NY

1996
Body Electric, curated by William Ewing, Winnipeg Art Gallery, Winnipeg, Canada. Musee des Beaux Arts, Montreal, Canada

Light Conversation, seminar with Deborah Martin Kao. November, Fogg Art Museum, Harvard University, Boston, MA

Contemporary South African Art, Gramercy Arts Club, New York, NY

Collection in Context-Henry Buhl, Thread Waxing Space, New York, NY. Parrish Art Museum (1997), Southampton, NY, Ohio Wesleyan University (1997), Delaware, OH. (1997) Houston Center for Photography,Houston,TX. (1998) University of Colorado, Boulder, CO. (1998) University of Maryland, Baltimore, MD. (1998) Society for Contemporary Photography, Fairway, KS. (1999) Fondation Claude Verdan, Lausanne, Switzerland. (1999)

Picture This, curated by Robin Renzi &Tessa Hughes-Freeland, CBGB Gallery, New York, NY

Carte de Visite, installation, Cooper Union, New York, NY

Face and Figure, Museum of Fine Arts, Boston, MA

Portraits, James Graham Gallery, New York, NY.

Face Value: American Portraits, curated by Donna De Salvo, The Wexner Center For the Arts, Columbus, OH. Tampa Museum of Art, Tampa, FL.

1995
Rituals and Transformations, curated by Ann Thomas, National Gallery of Canada, Ottawa
Moholy-Nagy and Present Company, curated by David Travis, Art Institute of Chicago, Chicago, IL
Face Value: American Portraits, curated by Donna De Salvo, The Parrish Art Museum, Southampton, NY, The Wexner Center For the Arts, Columbus, OH. (1996) Tampa Museum of Art, Tampa, FL. (1996)
Fact, Fiction, and Truth: Contemporary Portraits, curated by Susan Hoeltzel, Lehman College Art Gallery, Bronx, NY
Nature Studies II, curated by Regina Coppolla, Fine Arts Center, University of Massachusetts, Amherst, MA

1994
Flora Photographica: The Flower in Photography from 1835 to the Present, curated by William Ewing, The New York Public Library, New York, NY, The Royal Ontario Museum, Toronto, Canada, Musee des Beaux Arts de Montreal, Canada

1993
About Nature, curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, OH
The Alternative Eye, curated by Paul Binai, Southern Alleghenies Museum of Art, PA
Photograms and Photographs: Adam Fuss and Gary Schneider, curated by Victoria Espy Burns, Blackman Associates, Chicago, IL
Observing Traditions: Contemporary Photographs 1975-1993, curated by Ann Thomas, National Gallery of Canada, Ottawa
I Am the Enunciator, curated by Christian Leigh, Threadwaxing Space, New York, NY
New Work 1: Regarding the Elements, James Danziger Gallery, New York, NY

1992
Specs, Annina Nosei Gallery, New York, NY
Group Show, Lieberman and Saul Gallery, New York, NY

1991
From Desire: A Queer Diary, curated by Nan Goldin, Richard F. Brush Art Gallery, St. Lawrence University, Canton, MA
Body, Body, Renee Foutoui Gallery, Easthampton, NY
A Photography Show For Children, James Danziger Gallery, New York, NY
Photography, curated by Robin Renzi and Michelle Quan, Flamingo East, New York, NY

 

1986 New York, New Work, New Year, screening of Salters Cottages, The Funnel, Toronto, Canada

1984 Salter's Cottages, 16mm short subject film exhibited at The Arsenal, Berlin, Germany. The Metropolis, Hamburg, Germany

1981 Salter's Cottages, exhibited at Millennium and The Collective for Living Cinema, New York

1979 Peripheral Intercourse, 16mm short subject film, exhibited at Millennium, New York, Received Hy Goldman Memorial Grant

1978 Lighting Technician, Edison, directed by Robert Wilson. New York, NY. Lighting and Sound Technician, Blvd.

1977

Naming, a live solo performance at Artist Space, New York, NY
Lighting Technician, Book of Splendors Part 2, directed by Richard Foreman. New York, NY
Grant: Irma Stern Scholarship and Jules Kramer Music and Fine Art Grant for Studies Abroad

BIBLIOGRAPHY


Ilustrated cover story "Fat Factors", New York Times Magazine, NYC, NY. Reproductions, cover, p.6, 29, 32, August 13, 2006

O'Toole, Sean. Article. "The Big Picture". Johannesburg Sunday Times, South Africa. Reproductions, p.5., July 23, 2006

McQuaid, Cate. Review. The Boston Globe, Boston, MA., page H8., March 2, 2006

Catalogue. "The Portrait Now", National Portrait Gallery, London, UK. Reproduction, p. 108-109, 150., 2006

Review. The New Yorker, NYC, NY. p.15, January 6, 2006

Glueck, Grace. Review. The New York Times, NYC, NY, p.E34, January 6, 2006

" Multiple Exposure". Article. The British Journal of Photography, London, UK. Reproduction, p. 29, July 2, 2006

Catalogue. Self-Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA. Reproduction, p.8, 2006

Book. Nudes, Aperture, NYC, NY, 2005

Hoy, Anne. Book. Book of Photography, National Geographic, Washington, DC. Reproductions, p.410-411, 419-420, 2005

Millis, Christopher. Review. "Close..and intimate?", The Boston Phoenix, Boston, MA. Reproduction, p.20, 2005

Fairbrother, Trevor. Article. "Gary Schneider: Facing Time", Art in America, NYC, NY, Reproductions, p.112-115, 143, February 2005

Reichle, Inbeborg. Book. "Kunst Aus Dem Labor", Berlin, Germany. Reproductions, 2005

Hargreaves, Roger. Review. Photoworks, London, England. p 68-72, Nov/April 2005

Gail-White, Victoria. Review. "Seeking the Soul Behind the Mask", The Honolulu Advertiser, Honolulu, HI. Reproductions, p.D8, Aug. 29, 2005

Miller, Francine Koslow. Review. Art on Paper, NYC, NY. Sept./Oct., Vol.9, No.1. Reproduction, p. 80-81, 2004

Law-Viljoen, Bronwyn. Article, "Bodies of Meaning", Art South Africa, Capetown, SA. Vol.3, Issue1. Reproduction, p.23, 2004

Tillman, Lynne. "Counting Light", Aperture, NYC, NY. Fall, issue#176. Reproductions, p. 34-41, 2004

Catalogue. About Face . Hayward Gallery, London, England. Reporoduction, p.44, 2004

Ribbat, Christophe. "Glucklich in Bio" . Article, Photonews, Germany, June. Reproductions, p.16, 2004

Boxer, Sarah. Article,"When the Artist is the Curiosity Cabinet". The New York Times - Arts and Leisure, NYC, NY. April 25. Reproductions, p. 30, 2004

Wolff, Denise. Interview, "Finding Gary Schneider", photo-eye , Santa Fe, NM. Summer. Reproductions, p.26-28, 2004

Catalogue. Speaking with Hands , Guggenheim Museum, NYC, NY. Reproductions, p.135 and back cover, 2004

Ehrens, Susan. Review. B&W Magazine , Arroyo Grande, CA. April, Issue 30. Reproduction, p. 30, 2004

Garvey, Thomas. Review. "Artist Unmasked", Bay Windows, Boston, MA. March 18. Reproduction, 2004

Shea, John. Review. The Tufts Daily, Medford, MA., March 26, 2004

Millis, Christopher. Review, "Head Strong", The Boston Phoenix, Boston, MA. Reproductions, March 19-25, 2004
Feeney, Mark. Review,"Close Enough to Touch". The Boston Globe, Boston MA, Reproductions, p.C17-18, March 12, 2004

Silver, Joanne. Review. The Boston Herald , Boston, MA. , Reproductions, p. E26, March 5, 2004

Catalogue. Gary Schneider: Portraits , Fogg Art Museum, Yale University Press, New Haven, CT. Reproductions, 2004

Brochure. Gary Schneider: Biology , essay by Ann Thomas, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA. Reproductions, 2004

Article. Antiques and the Arts Weekly, Bee Publishing, Newtown, CT. Reproduction, p.48, 2004

Catalogue. Self-Evidence: Identity in Contemporary Art, DeCordova Museum and Sclulpture Park, Lincoln, MA., Reproductions, p.8, 2004

Frailey, Stephen. Preview. Artforum, New York, NY. p.60, January 2003

Smith, Roberta. Review. The New York Times , New York, NY.p.E39, April 4, 2003

Aletti, Vince. Review. The Village Voice , New York, NY. p.67, April 2-8, 2003

Pandemic, Facing Aids. Book. Umbrage Editions, New York, NY. Reproductions, p. 208, 2003

Norris, Doug. Review. Art New England , Boston, MA., p. 32, 33, February/March 2003

Dault, Gary Michael. Review. The Globe And Mail, Toronto, Canada. January 25, 2003

Arts Media. Boston, MA . Winter, 2003 . Cover reproduction, 2003

Catalogue. Seeing- Selections from collection Dancing Bear. Gruss Center of Visual Art, The Lawrenceville School, Lawrenceville, NJ. Reproduction, p.7, 2003
Catalogue. "Translations/Transgressions", Fine Art Center, University of Rhode Island, RI. Reproductions, 2002

Catalogue. "Mask or Mirror (A Play of Portraits)", Worcester Art Museum, Worcester, MA. Reproduction, 2002

Tillman, Lynne. Book, This is not it , stories, D.A.P., New York, NY. Reproduction, p. 209 ,210, 2002
Wolf, Sylvia. Catalogue. Visions from America - Photographs from the Whitney Museum of Art 1940-2001, Whitney Museum
of American Art, New York, NY. Reproduction, p.155, 2002

Magazine. New York Academy of Sciences Magazine , New York, NY, Reproductions, cover plus pages 2 and 4, August/September 2002

Hirsch, Faye. Review. Art on Paper, New York, NY, Reproduction p. 70, May-June 2002

Warner, Mary, Book. "Photography: A Cultural History", Laurence Hill Press, London, England, Reproductions, 2002
Loke, Margaret, "Making Artful Images Out of Science", The New York Times, NY, p. E41, January 25, 2002
Catalogue. "Paradise Now", Tang Museum, Skidmore College, Saratoga Springs, NY, Reproduction, p. 94-95, 2002
Millis, Christopher. Review. "Photogrophy's Future", The Boston Phoenix , Boston, MA, Nov. 16, 2001

Temin, Christine. Article. "Exploring the Ties that Bind", The Boston Globe, Boston, MA., October 24, 2001

McQuaid, Kate. Review. "Using the Magic of Light" , The Boston Globe , Boston, MA, p.F5, November 17, 2001

Freemantle, Francesca. Tricycle-The Buddhist Review , New York, NY, Reproduction, p. 53, Winter 2001

Aletti, Vince. Article. "Portfolio", Artforum , New York, NY.Reproductions, p. 175-179, September 2001

Waterman, Jill. Article. "Gary Schneider: Genetic Self-Portrait", Spot , Houston, TX. Reproduc tions, p. 14, 15, Spring/Summer 2001

Thernstrom, Melanie. Article Illustration. "Pain, the Disease", The New York Times Magazine, New York, NY, Reproductions, p.66-68, December 16, 2001

Catalogue. Identities: Contemporary Portraiture , New Jersey Center for Visual Arts, Summit , NJ, 2001
Catalgue. Botanical , Stephen Daiter Gallery, Chicago, IL, 2001
Catalgue. Family Portrait , Howard Yezerski Gallery, Boston, MA, 2001

Millis, Christopher. Review. "Seasons Bounty", The Boston Phoenix, Boston, MA, ARTS p.1, July 13, 2001

Bischoff, Dan. Review. "Face-to-Face", Sunday Star Ledger, Newark, NJ. Section 4, p.1, April 8, 2001

GSP-35th Publication, Design Annual, p. 181, 2001

Halpert, Peter Hay. Article. " Buy! Sell! Hold!". American Photo , New York, NY. Reproduction, p. 40, May/June 2001

Catalogue. Under the Skin , Wihelm Lehmbruck Museum Duisburg, Duisburg, Germany, 2001
Millis, Christoher. Review." On and Off the Street", The Boston Phoenix, Boston, MA. ARTS p.1, February 23, 2001
Hoffman, Mark. "Open Your Mind", review, New Haven Advocate, New Haven, CT. Nov. 30, 2000

Ewing, William. The Century of the Body, Thames & Hudson, London, England. Reproductions, 2000
Le Temps, " Le Corps,Surface Sensible", review. Geneva, Switzerland. May 10, 2000

Riding, Louis. "New Ways to See the Body", review, International Herald Tribune, 2000
016 American Photography 2000, award winner, New York, NY. Reproductions, p.258-262, 2000

Brochure. Foreign Bodies. Untitled (space). New Haven. CT. Reproduction, 2000

Catalogue. Surface and Depth. Hood Museum of Art. Dartmouth College, Hanover, NH. Reproductions, 2000

Smith, Roberta. Review. "In Their Own Worlds: Giant Hybrids of Fact and Fantasy", The New York Times, NY, p. E33, August 11, 2000

Brochure. Paradise Now. Exit Art. Reproduction, 2000

Gurewitsch, Matthew. Article. "Vast Spaces and Scientific Fantasies", The Wall Street Journal, New York, NY, p. A20, July 19, 2000

Pollack, Barbara. Article. " The Genetic Esthetic", Artnews, New York, NY. Volume 99, #4. Reproductions, pages 133-137, plus cover, April 2000

The Sciences, " X Ray Visionaries ", New York, NY. Reproductions, p.26-27, May/June 2000

"Genetic Self-Portrait". Butterfly Magazine. Issue 5. London, England. Reproductions, p. 14, 30-31, 2000

Life Magazine . Article. "Best Essay Depicting Science". New York, NY. Reproductions, p. 36-37, Spring 2000

Loke, Margarett. Review. "Beauty in the Eye (and the Fingertip)". The New York Times, NY. Reproductions, p.E38, March 17, 2000

Catalogue, A Decade of Collecting-Harvard University Art Museums,Volume 7, number 2, Harvard University, Cambridge, MA. Reproduction. p. 96-97, 2000

Catalogue, Unnatural Science . MASS MoCA, North Adams, MA. Essay and reproductions, 2000

Waterman, Jill. Article. "Gary Schneider's Self Scrutiny" . ArtsMedia, Boston, MA. Reproduction, p. 31, April 15-May 15 2000

Ehrens, Susan. Review. B&W, Arroyo Grande, CA. Vol. 2 Issue 6. Reproduction, p. 22, April 2000

New York Magazine, " Personal Matter ", review. New York, NY. Reproduction, p.77, February 28, 2000

Trebay, Guy. Article. The Village Voice, New York, NY. Reproduction, p.46, Feb. 29, 2000

Aletti, Vince. Article. Out Magazine, New York, NY. Reproductions, pages 40-41, March 2000
American Photo . Review of "Genetic Self-Portrait" book. New York, NY. Reproduction, p.17, March/April 2000
Silver, Joanne. Review. "Artists Celebrate Weird Science", Boston Herald, Boston, MA. January 14, 2000
Catalogue, Head to Toe, Impressing the Body, University of MA., Amherst, MA.Essay and reproduction, 2000
Aletti, Vince. Review, The Village Voice, New York, NY. Reproduction, p. 87, Feb. 22, 2000

Wilford, John Noble. Feature. "InsideOut", The New York Times Magazine, New York, NY.Reproductions, pages 106-113, Oct. 17, 1999

Ewing, William. Love and Desire, Thames and Hudson, London, England. Reproduction, 1999
Riding, Alan. Review."Thru a lens, the Body's Many Guises Multiply",The New York Times, NY. p.44, Nov. 28, 1999
Elle Magazine. Article "Books of Wonder", New York, NY. Reproduction, p. 120, Dec. 1999
House and Garden. Article "Looking Good", New York, NY. Reproduction, p. 30, January 1999

Catalogue, Reflections of the Artist, National Gallery of Canada,Ottawa, essay and reproductions, 1999

High tech-High touch, Naisbitt and Philips, Broadway Books, Random House, New York,NY, pages 200-202, 1999

Book. Genetic Self-Portrait. Essays by Ann Thomas, Lori Pauli, and Bettyann Kevles. Light Work,Syracuse, NY, 1999

Aperture, "Male/Female" . essay by Vince Aletti, New York, NY,Reproduction, p. 14, Summer 1999

Mitchinson, Paul. Review. The National Post,Toronto, Canada,Reproductions, p. 6, October 2, 1999

Gessell, Paul. Review."Exposing the Artist" The Ottawa Citizen, Ottawa, Canada. October 11, 1999
Thomas, Ann. Letter. The Ottawa Citizen, Ottawa, Canada, October 25, 1999

Arning, Bill. Review, "Female", Time Out. New York, NY. Issue 210. p. 66, Sept.30-Oct.7, 1999
Catalogue, Wildflowers, Katonah Museum of Art, essay by Susan Edwards; Katonah, NY. Reproduction, 1999
Danziger, James. American Photographs: 1900/2000. Assouline, St.Martins Press. New York, NY. Reproduction
Princenthal, Nancy. Review, Art On Paper. New York, NY. Reproduction, p.65, Jan/Feb 1999
Smith, Roberta. Article. The New York Times,Arts & Leisure, Reproduction, p. 39, February 14, 1999
Millis, Christopher. Review. The Boston Phoenix. Boston, MA. Reproduction. October 23, 1998
Walker, Marina. Review. "Into the Mystic", Santa Barbara News-Press, CA, Reproduction. May 8, 1998
Caponi, Nancy Clare. Review. "Microcosmos Explored', The Independent, Santa Barbara,CA. p.49, May 7, 1998

Review. "Out of Sight", Artweek, Santa Barbara, CA. Reproduction. June 1998

Weinstein, Michael. Review. The Chicago News and Arts Weekly, Chicago, IL. p.42, October 22, 1998

Goldberg,Vicki. Review. The New York Times .New York, NY, Reproductions, p. 33, May 24, 1998

Debraine, Luc. Review. Le Temps, Geneva, Switzerland, Reproduction, p.42, April 12, 1998

Woodward, Richard B. Review. Art News, New York, NY. reproduction, p. 121, Feb. 1998

Yablonsky, Linda. Review. TimeOut , New York, NY. p.44. February 5-12, 1998

DoubleTake. Article. "The Art of Science" . Durham, NC. Reproduction, p.55, Spring 1998
Catalogue, Body Icons, The Photographic Center of Skopelos, Greece. Reproduction p. 48, 1998
Kao, Deborah Martin. Interview. Harvard University Art Museums Review, Cambridge, MA., vol.V1, #2, p.14, Fall 1997

Sherman, Mary. Review. Boston Sunday Herald , Boston, MA, p. 39, Jan. 19, 1997

Millis, Christopher. Review. South End News, Boston, MA., Reproduction, p. 12, July 31, 1997

Halpert, Peter Hay. Article."Buy!Hold!Sell!", American Photographer, Reproductions, p.58, March/April 1997

Keefe, Paula. Review. The Marquette Tribune, Milwaukee,MI, p. 10, April 17, 1997

Emporio Armani Magazine. Milan,Italy, "The Body", number 17 biannual, p.16, March/August 1997

Auer, James. Review. The Milwaukee Journal Sentinel, Milwaukee, MI., April 25, 1997
Brochure, Gary Schneider: Recent Photographs, Dr. Curtis Carter, The Haggerty Museum, Marquette University, Milwaukee, MI. Reproductions., 1997
McQuaid, Cate. Review. The Boston Globe, Boston, MA., August 7, 1997
Book.John in Sixteen Parts . Essay by Deborah Martin Kao, published by Howard Yezersky Gallery, Stephen Daiter Photography, PPOW Gallery, 1997
Aletti, Vince. Review. The Village Voice, New York, NY., October 22-28 1997

Johnson, Ken. Review. The New York Times, New York, NY., p. E36. October 31, 1997
Katz, Vincent. Interview. The Print Collectors Newsletter, New York,NY. Reproductions, p.11-14. March/April 1996
McQuaid, Cate. Review. The Boston Globe, Boston, MA., Reproduction, June 6, 1996
Sherman, Mary. Review. The Boston Sunday Herald, Boston, MA, Reproduction, p.45, June 2, 1996
Perrott, Joseph. artsMEDIA, Boston, MA., Reproduction. June 1996
On Paper . Review. New York, NY., p. 37., "Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry Buhl" published by Threadwaxing Space, New York, NY., reproduction, 1996
Calender, In God's Love We Deliver, New York,NY. Reproduction, 1996
Weinstein, Michael. Review. The Chicago News and Arts Weekly, Chicago, IL., December 21, 1995
Catalogue. Hoeltzel, Susan. "Fact, Fiction, and Truth: Contemporary Portraits", Lehman College Art Gallery, Bronx, NY., Reproductions, 1995
Catalogue. "Moving Pictures",The Warren Standard,New York, NY., volume 2, number 6 . Reproductions. von Ziegesar, Peter. Review. Art in America, October, New York, NY. Reproduction
Zimmer, William. Review. "Portraits that use absense as a vehicle of expression " The New York Times, Westchester Edition, October 22. Reproduction, p. 16.
Book. De Salvo, Donna. Face Value: American Portraits, The Parrish Art Museum and Flammarion Press, Paris, France. Reproductions, p. 48.
Harper's, New York, NY. September . Reproductions, p.27.
Blindspot, issue number 5, New York, NY. Reproductions.
Hagen, Charles. Review. The New York Times, New York, NY., March 10, p. C10.
Aletti, Vince. Review. The Village Voice, New York, NY., "Choices", March 8.
Sedofsky, Lauren. Article. "Through a Glass Darkly", Artforum, New York, NY., Reproductions, p.68-73, March 1994
Ewing, William. The Body, Thames and Hudson, London, England. Reproduction, 1994
Conrad, Peter. Review. "Decaying Miracles in a Prison of Time", The Observer Review, London, England, Sept. 25, 1994
Goldberg, Vicki. Article. "Peering into Places that Mere Eyes Cannot See",The New York Times Arts and Leisure, New York, NY., Reproductions, p. 39, Feb. 21, 1993
Catalogue. Leigh, Christian. I am the Enunciator, Threadwaxing Space, New York, NY, 1993
Litt, Steven. Article "Artists view nature: assaulted but hanging tough", The Plain Dealer, Cleveland, OH., April 3, 1993
Hess, Elizabeth. Review. The Village Voice, New York, NY., p. 91, June 16, 1992
Aletti, Vince. Review. The Village Voice, New York, NY., "Choice", p. 74, June 16, 1992
Goldberg,Vicki. Article. The New York Times, New York, NY. page 33. October 25, 1992
OJO-Connoisseurship & Conservation in Photography, Vol.2,#1, Kent, CT, p. 3., 1992

Braff, Phyllis. Review. "In the Nude, a Denial of the Body's Flesh", The New York Times (L Iedition), NY., Sept. 29, 1991
Aletti, Vince. Review. The Village Voice, New York, NY., "Choice", p. 113, April 16, 1991
Bomb, Spring. Reproduction, p.16.
Hart, Russell. "Artist and Craftsman", American Photographer, New York, NY.,p. 24., June 1989
Johnson, Tom. "Turning a Dream into Reality", Photo District News, New York, NY.,p 1, August, 1989
Program notes. Collective for Living Cinema. New York, NY. Fall 1985
Klinker,Claus-Wilhelm. Film review, "Drei radikale Kurzfilme uber Sex - nicht fur Schule", Szone Hamburg, Hamburg, Germany. Reproduction. October 1984
Gardlin, Martin. "Art of Darkness", Photo District News, New York, NY. p. 28, February 1984
Sribnick, Larry. " Black and White Reproduction" Photo Methods, New York, NY. p. 21, April 1983
Whitfield, Tony. Film Review. "Psychological Seduction", The New York Native, New York, NY. Reproduction, 1982
Millennium Group Program, number 5, May 15, 1981

PUBLIC COLLECTIONS

 

Art Institute of Chicago, Chicago, IL

Brooklyn Museum of Art, Brooklyn, NY

Chrysler Museum of Art, Norfolk, VA

Contemporary Museum, Honolulu, Hawaii

Fogg Art Museum, Harvard University, Cambridge, MA

George Eastman House, Rochester, NY

Guggenheim Museum, New York, NY

Hallmark Collection, Kansas City, MO

Hood Art Museum, Dartmouth College, Hanover, NH

International Center of Photography, New York, NY

LaSalle Bank, Chicago, IL

Metropolitan Museum of Art, New York, NY

MoPA, San Diego, CA

Musee de l'Elysee, Lausanne, Switzerland

Museum of Contemporary Photography, Chicago, IL

Museum of Fine Art, Boston, MA

Museum of Fine Art, Houston, TX

National Gallery of Canada, Ottawa, Canada

Rose Art Museum, Brandeis University, Waltham, MA

Whitney Museum of American Art, New York, NY

Wooster Art Museum, Wooster, MA

Yale University Art Gallery, New Haven, CT



Nudes 2002-2004 [view images]


Portraits 1999-2001 [view images]


Genetic Self Portrait 1997-1999 [view images]


Hands 1996-present [view images]


Botanicals 1989-1993 [view images]